Archive for the ‘music reviews’ Category

Straight From The Gray Matter 2009-11-25 09:42:00

Nov
25
Last week I reviewed Raekwon's Only Built For Cuban Linx 2, this week is Ghostface's Ghostdini the Wizard of Poetry in Emerald City

Ghost's fans know that dude is one of theee greatest rappers of our times. He's the dinosaur from yesterday who still stomps today. He's this age's Kool G Rap, the emcee from the past era, who nobody today still can't touch (funnily enough, Kool G Rap is still that guy, now 2 or 3 ages displaced.) Soit's a given that everything Ghost does is at least a 7/10. It's also a given that he's a true artist who can change his style to always stay fresh. Case in point: this album.


Son has been doing relationship-songs for his whole career. Since Camay, Ghost has always made songs about the opposite sex that were never sappy and always real. This album took that talent and put it on blast, 12 tracks and 2 bonuses, all about relationships. Now if you're like me, you hear that and get worried that Ghost will run out of things to talk about by limiting himself so much. Or that the album will reek of saccharine because it's all about women. And surely, some people are gonna hate the album for these exact reasons. The same people who skip Camay, Killa Lipstick, and ¼ of The Pretty Toney Album are gonna hate this album. For better or for close-minded worse, the album is truly limited to relationship. This isn't a half-ass theme/concept album where half the songs don't fit the theme. No, no, not Ghostface. Every song about relationship, most featuring soul samples and today's hot R&B singers.


Exposition completed, let's get to the album. It's opens semi-weak IMO with a track ft Shareefa. I didn't know who this broad was, but my girl explained she's that “I-I-I-I-I-I” singer(apparently the song is named Need A Boss.) Anyway the song is about how ill Ghost's girl is. Decent-enough song, but the opening coulda been stronger. The next two joints feature Raheem Devaughn, who in cornball-fashion is calling himself “Radio” nowadays. Decades-late-nicknames aside, the two songs are ill. Do Over pleads for a second chance after effing the relationship up, and you guys already know my love of Baby(couple posts ago). Raheem does his thing on these songs.


Stapleton Sex is a disgusting-in-a-good-way song about...you guessed it...sex! If you liked Wildflower(“yo bitch I fucked ya friend, yeah you stank hoe”) from Ironman, then this might be right up your alley. We're 5 tracks in(I skipped talking about one), and about here is when I realized that there's a lot of different ways to attack the relationship angle. Humans are social beings, therefore it's only right that there'd be many aspects of our relationships to discuss. Luckily Ghost is smart enough to hit a lot of these different topics.


Paragraphs of Love features Estelle, and despite her ugly accent, dvd-sized teeth, and weak voice's combined attempt to ruin the song, it ends up being one of the best on the album. Ghost is a guy at a party who sees a pregnant chick, on some love at first sight shit. So he has to approach her. Sound retarded? It is. Irregardless, it's dope as hell, from the beat to Ghost describing why she's beautiful, right past Estelle's rap/talk verse, and onto Estelle singing with the help of some guy named Vaughn Anthony.


Other highlights are Guest House with Ghost finding out that his girl Shareefa boning Fabolous, and Ghost and Lloyd pledging to do whatever's necessary, including blasting cats, for their girl on Goner. The whole is at least decent, most of it is great. The wackest songs are Let's Stop Playin with John Legend, and I'll Be That, ft Adrienne Bailon (who???). Both songs sound weak as a chemo-patient. But they're still not terrible, just skippable.


Overall, this album is like a 9/10 or something, just a fucking awesome display of lyrical dexterity. A whole album relationships that rarely disappoints. Ghost takes the rapper-with-a-R&B-hook-and-bridge formula that's so commonplace today, and does it better than EVERYONE. The album isn't selling very well for some reason, I blame the choice of singles. Baby is the only choice I agree with. So go buy it, like me:


(notice the much calmer face lol)

PS. Back Like That Remix ft Neyo and Kanye is one of the bonus tracks. The song is like 3 years old, Ghost gets the gas face for including it. Thank God for the next track button!

~Knowledge the Ghost-Junky 

Wu-Tang Is Back!

Nov
17
Years ago Me and Da Vinci had a conversation with a Baltimore emcee named Dre The Beloved (hey Dre sorry if I spelled that wrong) about music. It was after an open mic show called Season The Microphone Mondays, hosted by one of my favorite Baltimore emcees, Tislam The Great. According to Dre, the Wu-Tang sound was over, and he couldn't even listen to Enter The 36 Chambers anymore. Blaspheme!

As a Wu-head from birth, it brings me much joy to say that Wu-Tang has come back with a vengeance. Of course they never really left. But you can't deny that they fell back for a while. The only members still consistently putting out albums were Ghostface and Gza, and I've neverz been huge on Gza. He got too cerebral for my tastes after Liquid Swords (Killa Hills and Cold World are still my shits tho). But I've liked every Ghost album ever made. Now in the span of like a month, both Ghost and Raekwon drop two very different albums that show that the W is definitely not dead.




(This is the "Only Built For Cuban Linx 2 Face", all rights reserved)

Raekwon's new joint brings him back to square one, in the best way possible. Only Built For Cuban Linx 2  just may be the only rap sequel to stand up to it's predecessor. I won't waste time going track for track, but I will say that there's only 3 joints on it that I skip sometimes. If you know my pickiness, you know that that's a great accomplishment for a 22-track album.

So I'll start with the bad: Some tracks have annoying singers. Meh, it's the classic Wu sound, you gotta take the bad with the good. Sometimes the untrained voices work, sometimes they don't. So I liked Blue Raspberry on Have Mercy, didn't like (uncredited) singer on Mean Streets. And I can't stand Busta Rhymes on About Me. His new not-so-hype-at-all gravely voice and lazy flow annoy the fuck outta me. Why do good still-new-ish rappers retire (Lupe!) yet his ass continues to poison my ears?

Now the good. Raekwon has paradoxically and inexplicably succeeded in channeling the old content and sound without sounding old. He's completely on the drug rap tip, and he does it this go-round better than the last time in my humble opinion. I'll admit that I didn't listen deeply to the original Cuban Linx when I first got it, as Raekwon's style was hard for me to get into. He doesn't really rap per se, at least not like most rappers. He always tells stories. Even on a song about bragging, the way he brags is just, well, different, like he's telling a bunch of micro-stories about how live he is. I've since absorbed Cuban Linx, and I still gotta say I like this one better. The content is much more cohesive this time around. I feel like his songwriting skill has grown like crazy. And the beats are better because they vary more. Raekwon used a lot of guest producers, but he purposefully chose beats to fit the mood of this album. The Dilla and Scram Jones beats steal the show, but all are good.

The whole thing plays out like the drug movie Hype Williams wishes Belly was. Not with any real narrative that I can perceive, but more so that each song is a scene from the hypothetical drug/hood movie that Raekwon made the soundtrack to.

I'll end my ramblings here, and talk about Ghost's album in my next post. If you haven't already, go buy Raekwon's album! He sold around 150k so far, and the album is independent (up until distribution and some radio promotion, which is handled by EMI). So you can rest assured that more of your money will go into his pockets.

~Knowledge the Wu-Fanboy

Wale’s New Single? Trid-ash!

Jul
8
So, trolling the internets today I see that formerly-local DC rapper Wale has an album release date(finally), and a new single. The video for the single:



I gotta say I'm not feeling it at all. Wale has never been the most conscious cat on the block, but this song doesn't even try to be about anything. First off the hook is stupid and jacks that "nah nah nah nah, hey hey hey, goodbye" melody (same as Jay-Z's Death of Autotune, I'll take horrible timing for $2000 Alex). Lady Gaga, who my head-in-the-sand fuck-the-radio ass is hearing for the first time via this song, sucks hairy donkey nuts. Add to that a boring beat and Wale talking about nothing in a completely UNspecial(boring) way.


I'm all for rappers having fun sometimes, but everything you do has to be ill in some kinda way. Either in sound or content. These lyrics don't even try. To be fair, I'm sure son is being pressured to sell x amount of records. Hopefully the rest of the album is better, in the meantime I'll be looking for more of his mixtapes.